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GrandTourCollection
GrandTourCollection Roma Rings
GrandTourCollection Roma Rings
Regular price
$165.00
Regular price
Sale price
$165.00
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Aura Rings
GrandTour Aura rings: clear or veined plexiglass bases, golden crown and ancient motifs evoke light, luminous elegance for the hand.
Each ring features a detailed Intaglio design of a Roman mythological figure to symbolize a story that most speaks to you.
Minerva
Left-facing profile, steady features — Minerva in the AURA ring carries all the sharpness of the intaglio set in the 18kt gold-plated bronze bezel, the round plexiglass body giving her a new lightness. The goddess of wisdom, art, and strategic intelligence — a few masterful lines, firm and precise as an official portrait, restore the essence of this divinity. The GTc signature is engraved on the bezel and on the side of the plexiglass base: its rounded decorative scrolls follow the forms of the jewel and the intaglio — a stylistic continuum that speaks to Minerva's capacity for vision and to intentional design: everything here has a reason.
The rounded shank, polished and buffed by hand, sits on the finger with a lightness that surprises. On ivory, blue carries the depth of Minerva's grey-blue eyes — penetrating, rational; black is pure concentration, the certainty of one who already knows where to arrive; pearl is the white robe, intellectual clarity before the decision; red is the choice already made in the mind — vivid, decisive. On tortoiseshell, the warm veining of the plexiglass adds weight to every combination: blue grows more intense, almost princely; black roots itself in the striations; pearl warms and softens; red gains gravity. On black, every feature of Minerva emerges with clarity: blue is the colour of the clear mind; black on black is Minerva in the gathering of thought, the profile concentrating; pearl illuminates with the clarity of one who has already understood; red declares the position taken.
Minerva's aura, told through a new design, a contemporary material, and a mind always vivid.
The rounded shank, polished and buffed by hand, sits on the finger with a lightness that surprises. On ivory, blue carries the depth of Minerva's grey-blue eyes — penetrating, rational; black is pure concentration, the certainty of one who already knows where to arrive; pearl is the white robe, intellectual clarity before the decision; red is the choice already made in the mind — vivid, decisive. On tortoiseshell, the warm veining of the plexiglass adds weight to every combination: blue grows more intense, almost princely; black roots itself in the striations; pearl warms and softens; red gains gravity. On black, every feature of Minerva emerges with clarity: blue is the colour of the clear mind; black on black is Minerva in the gathering of thought, the profile concentrating; pearl illuminates with the clarity of one who has already understood; red declares the position taken.
Minerva's aura, told through a new design, a contemporary material, and a mind always vivid.
Cupid
A round arena where light circles without interruption — the AURA's circular bezel changes the way the Cavallino appears. Muscles taut, mane in the wind — an animal that embodies virtues both divine and natural, perfectly framed in gilded bronze. The plexiglass ring body further emphasises the momentum the cameo expresses: a material light in essence yet substantial in form. A jewel of great presence, with its full volumes, proportions kept contained and curves kept soft.
The ring body is plexiglass — the shank adapts to the hand with fluidity, the weight contained, the jewel moving with the finger. The GTc signature is engraved on the bezel.
On black, the horse's profile emerges with the force of a bas-relief — lines lifting from the dark ground with graphic clarity: azure carries the horse towards the full afternoon sky, the colour of Giotto's Italy; white is the clarity of marble, every muscle in full light; black makes the silhouette absolute, profile against dark ground like an engraving; gold closes in warm dialogue between bronze and relief. On tortoiseshell, the veins of the plexiglass change from piece to piece, close-set and marked or soft — like a real shell, every ring is already unique before choosing the relief colour: azure vibrates among the natural tones; white brightens them; black strengthens them; gold warms them. On ivory, the natural bone tone softens the bronze's presence — every cut reveals different tonal gradations: azure opens towards the sky; white is almost monochrome; black offers the most elegant contrast; gold creates warm resonance between materials. Every combination renews the expression.
The gallop does not stop — only the ground beneath it changes.
The ring body is plexiglass — the shank adapts to the hand with fluidity, the weight contained, the jewel moving with the finger. The GTc signature is engraved on the bezel.
On black, the horse's profile emerges with the force of a bas-relief — lines lifting from the dark ground with graphic clarity: azure carries the horse towards the full afternoon sky, the colour of Giotto's Italy; white is the clarity of marble, every muscle in full light; black makes the silhouette absolute, profile against dark ground like an engraving; gold closes in warm dialogue between bronze and relief. On tortoiseshell, the veins of the plexiglass change from piece to piece, close-set and marked or soft — like a real shell, every ring is already unique before choosing the relief colour: azure vibrates among the natural tones; white brightens them; black strengthens them; gold warms them. On ivory, the natural bone tone softens the bronze's presence — every cut reveals different tonal gradations: azure opens towards the sky; white is almost monochrome; black offers the most elegant contrast; gold creates warm resonance between materials. Every combination renews the expression.
The gallop does not stop — only the ground beneath it changes.
Venditrice
The fresco from Villa Arianna in Stabiae — a woman offering winged cupids as though they were precious fruit — finds in the round 18kt gold-plated bronze bezel the finesse of the cameo in its purest form. The collection's most delicate scene rests here on a plexiglass base that amplifies its grace: the weight is lighter, light entering where before there was only solid material. The carving is narrative — the cupid figures, the woman, the gesture of offering all reading with clarity. The relief is luminous and airy, shadows shifting with the light.
The round bezel distributes reflections evenly, the scene reading from every angle. The GTc signature is engraved on the bezel.
On transparent, the figures seem suspended in air — the gesture of offering becoming as light as the gift itself: light blue is the sky above Stabiae, morning air and the lightness of the cupids in flight; pearl is the quiet light of the ancient fresco, soft and warm, enhancing the sweetness of the composition; porphyry is imperial stone, dense and grounded, the depth of history; red is the vitality of affection, the glow of the love the vendor offers. On tortoiseshell, the veins of the plexiglass run differently in every piece — tight and warm as a sunset or soft and open, every ring unrepeatable: light blue vibrates among the natural tones; pearl illuminates them; porphyry deepens them; red warms them. On ivory, the pale warmth of the material brings the scene into a more intimate register — the gradations shifting in each piece: light blue fresh and luminous; pearl almost monochrome; porphyry decisive and present; red warm and close. Every combination renews the expression.
The grace of the offering — on an airy material that makes it more luminous still.
The round bezel distributes reflections evenly, the scene reading from every angle. The GTc signature is engraved on the bezel.
On transparent, the figures seem suspended in air — the gesture of offering becoming as light as the gift itself: light blue is the sky above Stabiae, morning air and the lightness of the cupids in flight; pearl is the quiet light of the ancient fresco, soft and warm, enhancing the sweetness of the composition; porphyry is imperial stone, dense and grounded, the depth of history; red is the vitality of affection, the glow of the love the vendor offers. On tortoiseshell, the veins of the plexiglass run differently in every piece — tight and warm as a sunset or soft and open, every ring unrepeatable: light blue vibrates among the natural tones; pearl illuminates them; porphyry deepens them; red warms them. On ivory, the pale warmth of the material brings the scene into a more intimate register — the gradations shifting in each piece: light blue fresh and luminous; pearl almost monochrome; porphyry decisive and present; red warm and close. Every combination renews the expression.
The grace of the offering — on an airy material that makes it more luminous still.
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